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DTSTART;TZID=UTC:20260910T080000
DTEND;TZID=UTC:20261130T170000
DTSTAMP:20260912T151935
CREATED:20260912T090422Z
LAST-MODIFIED:20260912T090422Z
UID:11775-1789027200-1796058000@yusto-giner.com
SUMMARY:NEVER BEEN TO HEAVEN
DESCRIPTION:NEVER BEEN TO HEAVEN\n				\n				\n			\n				\n				\n				 \n  \n			\n				\n				\n				10SEP · 30OCT 2026\n  \n			\n					\n					\n					\n						\n						\n							\n								La exposición\nObras\nPrensa\n\n							\n							\n							\n							\n				\n					\n				\n			\n						\n						\n					\n				\n			\n				\n				\n				\n				\n					\n				\n				\n				\n					\n						\n						\n							 \n							\n						\n					\n				\n				\n			\n			\n				\n				\n			\n			\n				\n				\n				 \n\n\n\n\nNEVER BEEN TO HEAVEN\nAdam Parker Smith\nAPERTURA MADRID GALLERY WEEKEND 2026 \n  \n\n\n\nIn the studio of American sculptor Adam Parker Smith\, antiquity meets the robot. Blocks of Carrara marble\, the marble of Michelangelo and Bernini\, pass through 3D scanning and robotic milling before reaching the hands of Italian master craftsmen working in a tradition six centuries old. The exhibition draws on Parker Smith’s Crush series\, in which he scans canonical Greco-Roman sculptures in three dimensions\, digitally compresses them into compact forms\, and has them hand-carved from raw Carrara marble. The marble is drawn from the same quarries that have supplied Western sculpture for over two thousand years\, including works that today stand in the Roman Forum\, the Galleria Borghese\, and other major international collections. \nThe show is a series of compressions. Three Hellenistic myths crushed into marble like cars in a junkyard\, the figures still visible but radically compacted: Artemis and the sacrifice of Iphigenia\, Jason returning with the Golden Fleece\, Venus rising from the waves.  Where the originals are made to be contemplated\, these ask to be explored. Alongside the marbles\, two pool floats in pink and lime green\, each in perfect classical contrapposto. The foundational pose of Greek sculpture turns out to be the natural shape of an inflatable lounger. \n\n\n  \n YUSTO / GINER MADRID \n\n\n\n\n\n\n\n			\n				\n				\n				\n					\n			\n\n				\n														Laura Lagraña a.k.a. Culitomatón en Vogue\n				\n					10 Dec\, 2025 https://www.vogue.es/articulos/culitomaton-laura-lagrana-artista-ceramica-esculturas \nread more			\n			\n				\n			\n\n				\n														PAC | Memories in motion\n				\n					10 Dec\, 2025 https://www.plataformadeartecontemporaneo.com/pac/memories-in-motion-propuesta-curatorial-de-geraud-jean-claude-y-yusto-giner-marbella/ \nread more			\n			\n				\n			\n\n				\n														KOAX Magazine | Line Finderup\n				\n					22 Sep\, 2025 https://koaxmagazine.com/what-was-i-made-for-line-finderup/?utm_campaign=newsletter&utm_medium=email&utm_source=mailing13 \nread more			\n			\n				\n			\n\n				\n														ELM Art | Fran Baena\n				\n					22 Sep\, 2025 ELM ART (1) \nread more			\n			\n				\n			\n\n				\n														El Pespunte | Fran Baena\, The broken mirror of the present\n				\n					6 Jun\, 2025 https://www.elpespunte.es/fran-baena-el-espejo-roto-del-presente/ \nread more			\n			\n				\n			\n\n				\n														Medium | Ángeles Agrela: Portraiture as Symbolic Construction and Visual Resistance\n				\n					6 Jun\, 2025 https://medium.com/@sarah_renerr/%C3%A1ngeles-agrela-portraiture-as-symbolic-construction-and-visual-resistance-6f1129436e0f \nread more			\n			\n				\n			\n\n				\n														Ángeles Agrela designs the poster for La Mar de Músicas 2025 and reinvents female representation\n				\n					20 Mar\, 2025 https://www.laverdad.es/culturas/musica/angeles-agrela-disena-cartel-mar-musicas-2025-20250320132033-nt.html?ref=https%3A%2F%2Fwww.laverdad.es%2Fculturas%2Fmusica%2Fangeles-agrela-disena-cartel-mar-musicas-2025-20250320132033-nt.html \nread more			\n			\n				\n			\n\n				\n														Magda Kirk and Fran Baena among the most surprising projects at UVNT25 – Vanidad Magazine\n				\n					17 Mar\, 2025 https://vanidad.es/uvnt-art-fair-2025-mejores-proyectos/ \nread more			\n			\n				\n			\n\n				\n														Interview by Fran Baena in the magazine «Dosis Kafkiana» n16\n				\n					18 Feb\, 2025 https://www.dropbox.com/scl/fi/qhvzhta63brhr5sg6rrmw/Dosis-Kafkiana-16-Revista.pdf?e=2&fbclid=PAZXh0bgNhZW0CMTEAAaaUtoHzztfJNFTcOGojKS4pkTSSuvSfUVEaH-wH-2eCErolZPCtRYw19Gs_aem_UFcI35S161RiPZJwJ4A0EA&rlkey=kkf9jzb2nbi39fi9qzc4sz2wp&st=vcnxm9gb&dl=0 \nread more			\n			\n				\n			\n\n				\n														Miguel Scheroff en la edición de diciembre de la revista NUEBO. pág 80-89\n				\n					14 Jan\, 2025 https://issuu.com/nuebomagazine/docs/nuebo_29_diciembre_2024 \nread more			\n			\n				\n	« Older Entries
URL:https://yusto-giner.com/exhibition/never-been-to-heaven-2/
CATEGORIES:Adam Parker Smith,EXHIBITIONS
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