1983, Vive y trabaja en
Manila, Filipinas.
Las pinturas de Pow desmienten su tema grotesco con las superficies indeleblemente hermosas y un uso amplio y atrevido del color. Mutantes, monstruos, demonios, desviados y monstruos se tambalean, se sientan y parecen transformarse en medio de paisajes extrañamente iluminados o escenarios urbanos en desintegración, o emergen de un lío de grafitos pictóricos, pero, como insisten sus obras más abstractas, la capacidad de Martínez para hacer intrigantes y las relaciones entre formas y superficies aseguran que sus obras sean infinitamente convincentes, una experiencia similar a una hermosa pesadilla.
EDUCACIÓN
2004-2006 |
Kalayaan College, Painting |
2002-2004 |
University of the Philippines, Visual Communication |
EXPOSICIONES INDIVIDUALES
2020 |
Sustainable Anxiety, Silverlens, Manila |
2018 |
Aesthetic Police, ROH Projects, Jakarta |
2017 |
Techno-utopian, Silverlens, Manila and now back to our regular programming, Art Informal, Manila |
2016 |
Advanced Human, Random Parts, Oakland a man without a hobby is worthless, TAKSU Gallery, Singapore |
2015 |
psychodelic behavior, West Gallery, Manila From the bitter abyss, Megumi Ogita Gallery, Tokyo |
2014 |
May Cause Profound Mental Retardation, Pablo Gallery, Manila Caught between honor and revenge, how far will one man go, Silverlens, Manila dogs playing poker, Manila Contemporary, Manila |
2013 |
1 bit, Mo_Space Project Room, Manila Losing my edge, Pablo Gallery, Manila Medieval woodcuts, Finale Art File, Manila |
2012 |
Sploshing, Finale Art File, Manila Low Res, West Gallery, Manila Cyborg Scallops, Silverlens, Manila |
2011 |
Nature Paintings, NOW Gallery, Manila Destroyed Planets, Pablo Gallery, Manila Cut Hands has the Solution, West Gallery, Manila Easy Listening Paintings, Mag:net Gallery, Manila |
2010 |
march of the pigs, Lost Projects, Manila
|
2009 |
the brutal gardener, Mag:net Gallery, Manila one billion years, West Gallery, Manila |
2007 |
pathetic doggy paddle, Mag:net Gallery, Manila |
EXPOSICIONES COLECTIVAS
2021 |
NFT: No Frills Tomorrow, Modeka Creative Space, Manila Only a Joke Can Save Us, Present Projects, Hong Kong Art Basel, Silverlens, Hong Kong ‘Only a Joke Can Save Us’ Present Projects Gallery, Sham Shui Po, Hong Kong Art Fair Philippines, Silverlens, Manila S.E.A. Focus, Tanjong Pagar Distripark, Singapore SOUTH SOUTH VEZA, SOUTH SOUTH Platform |
2020 |
Anticipating the Day, Silverlens, Manila Searching Sanctuary, Silverlens, Manila Art Fair Philippines, Silverlens, Manila |
2019 |
An Artinformal Christmas Group Show, Artinformal, Manila Art Jakarta, ROH Projects, Jakarta WXXX, West Gallery, Manila City Prince/sses, Palais de Tokyo, Paris, France 50 Years in Hollywood, Pintô International, New York Art Basel, Silverlens, Hong Kong Art Fair Philippines, Silverlens, Manila Taipei Dangdai, Silverlens, Taipei |
2018 |
Recent Works, Underground Gallery, Manila Art Basel, Silverlens, Hong Kong Chaos, Silverlens, Manila Art Fair Philippines, Silverlens, Manila |
2017 |
Art Taipei, Taipei World Trade Center, Hall One, Taipei Translación, Inaugural Exhibition, Curated by Gary-Ross Pastrana, Silverlens, Manila |
2016 |
WASAK! Reloaded, Arndt, Singapore WASAK!, Arndt, Berlin |
2015 |
No Singing Allowed, Silverlens, Manila |
2014 |
Brave New Worlds, Metropolitan Museum of Manila, Philippines |
2013 |
manila vice, MIAM, Sete, France pirates, Megumi Ogita Gallery, Tokyo |
2012 |
bastards of misrepresentation, Topaz Arts, New York |
2011 |
Confessions of a sinner, Manila Contemporary, Manila Post local, Silverlens, Manila Greatest Hits, Bastards of Misrepresentation, doing time on Filipino time, 8 Salon, Hamburg Hide the Women and Children, Mo_Space, Manila Salvation in a nest of vipers, Y3K, Melbourne Complete and Unabridged, Osage Gallery, Hong Kong |
2010 |
bastards of misrepresentation, doing time on Filipino time, Fries Museum, Berlin serial killers from tate modern to taksu Singapore, Taksu, Singapore beautiful inside my head forever, Silverlens, Manila sirens hall, Mo_Space, Manila in fairness, Finale Art File, Manila happily unhappy, Blanc Gallery, Manila |
2009 |
selected memory, Richard Koh Fine Art, Kuala Lumpur one small step for man, one giant leap for woman, Mag:net Gallery, Manila welcome to the jungle, Art Informal, Manila |
2007 |
shoot me, Mo_Space, Manila i have nothing to paint and i’m painting it, Manila Contemporary, Manila Sungdu-an 4”extensions,” Cagayan de Oro University |
2006 |
the blank show, West Gallery, Manila long goodbye, Mag:net Gallery, Manila Strait from the source, Future Prospects, Manila missing vocabularies, Green Papaya Art Projects, Manila |
2005 |
common and uncommon goods, Future Prospects, Manila other matters, Future Prospects, Manila
|
Elemmental/Los Bravú: «Ponemos todo en común, tanto las ideas como el proceso de trabajo»
29 Sep, 2021
Elemmental/Los Bravú: «Ponemos todo en común, tanto las ideas como el proceso de trabajo»
14 Sep, 2021
Tesis | El arte de los Bravú // Canal sur
16 Jun, 2021
https://www.youtube.com/watch?v=P6SwROeygiQ&feature=youtu.be&ab_channel=canalsur